For even the greatest rock and pop stars, striking out from the band that made their name can be a major challenge – just witness Mick Jagger's solo career. But one musical legend who had no trouble asserting her independence is Stevie Nicks.
When she went solo in earnest 40 years ago, the woman who had been integral to Fleetwood Mac's transformation into the world's biggest band carved out an identity as a star in her own right. She didn't just make a chart-topping album, Bella Donna, but came up with a stunning anthem that only seems to grow more popular with age.
Edge of Seventeen wasn't the first or highest-charting single from Nicks' debut record Bella Donna. It was preceded by Stop Draggin' My Heart Around, a melodramatic collaboration with Tom Petty and the Heartbreakers, and Leather and Lace, a more delicate duet with the Eagles' Don Henley, both of which cracked the US top ten.
Edge of Seventeen wasn't the first or highest-charting single from Nicks' debut record Bella Donna. It was preceded by Stop Draggin' My Heart Around, a melodramatic collaboration with Tom Petty and the Heartbreakers, and Leather and Lace, a more delicate duet with the Eagles' Don Henley, both of which cracked the US top ten.
But more than any other Stevie Nicks solo moment, Edge of Seventeen has entranced subsequent generations and helped to define the singer's standing as a rock icon: not just as member of Fleetwood Mac, but as an artist in her own right.
It's a song that operates on several levels – at once an instant hit of rock drama and a heady meditation on death – and seems to yield something new every time you play it. Its distinctive 16th-note guitar riff – played by Waddy Wachtel, a legendary session musician who also worked with Cher and The Rolling Stones – remains electrifying every time you hear it. READ MORE
